Кэри Парк: «Гитарный метод в стиле современного кантри».
Ноты, табы для гитары, гармония (буклет), видео.
Научиться играть ваши любимые песни на гитаре стало проще простого, так как Кэри Парк научит вас аккордам и рифам из ваших любимых песен в стиле кантри, таких как:
Alan Jackson, Brooks & Dunn, Vince Gill, Faith Hill и многих других.
Grant Green was one of the most innovative jazz guitarists of the 1960s. His horn-like lines, original tone, and superb sense of time elevated him to being one of Blue-Note Records first call session players as well as a respected bandleader.
Кори Кристиансен: «Основные джазовые линии — в стиле Билла Эванса».
Для гитары. Ноты, табы, аккордовые диаграммы, звуковые примеры, минусы.
Bill Evans (1929-1980) is one of the highest regarded jazz pianists in the history of jazz. His harmonic and rhythmic language in combination with superb taste and technical perfection places him in a category by himself.
His style of harmonization and improvisation has been an inspiration to countless pianists as well as other instrumentalists in the field of jazz.
Кори Кристиансен: «Основные джазовые линии — в стиле Джона Колтрейна».
Для гитары. Ноты, табы, аккордовые диаграммы, звуковые примеры, минусы.
Saxophonist John Coltrane was one of the most innovative, creative, and influential jazz artists of the 20th Century. Both stylistically and harmonically, he opened doors for others to follow.
Wes Montgomery took jazz guitar to a new level when he came to the public’s attention in the late 1950’s. Known for his fluid lines and his big jazz guitar sound, Wes influenced thousands of guitarists in the styles of jazz, blues, and rock.
Кори Кристиансен: «Основные джазовые линии — в стиле Чарли Паркера».
Для гитары. Ноты, табы, аккордовые диаграммы, звуковые примеры, минусы.
Charlie Parker was arguably one of the most influential jazz musicians to have ever lived. This text presents numerous jazz lines in Charlie’s style, grouped by their application in a given harmonic content. Students will learn to connect lines to play over II-V-I progressions, turnarounds and other harmonic frameworks.