Mark Davis — Jazz Piano Method
Марк Дэвис: «Метод джазового фортепиано».
Ноты, звуковые примеры (внутри книги).
(Piano Instruction). The Hal Leonard Jazz Piano Method is a comprehensive and easy-to-use guide designed for anyone interested in playing jazz piano from the complete novice just learning the basics to the more advanced player who wishes to enhance their keyboard vocabulary.
The accompanying audio includes demonstrations of all the examples in the book! Topics include essential theory, chords and voicings, improvisation ideas, structure and forms, scales and modes, rhythm basics, interpreting a lead sheet, playing solos, and much more!
Содержание:
INTRODUCTION
CHAPTER 1: GETTING STARTED
Practice Tips
Developing Your Ear
Recommended Listening
Styles
Jazz Standards
The Form of a Tune
The Structure of a Typical Jazz Performance
The Pianist’s Role in a Jazz Group
CHAPTER 2: ESSENTIAL THEORY
The Chromatic Scale
The Whole Tone Scale
The Major Scale
Intervals
The Cycle
Swing Eighth Notes
CHAPTER 3: BASIC CHORDS AND VOICINGS
Triads
CHAPTER 4: REPERTOIRE
Learning Tunes
Interpreting a Lead Sheet
Endings
Ending Idea 1
Ending Idea 2
Applying Voicings
CHAPTER 5: BEGINNING IMPROVISATION
The Blues Scale
Feeling Time
The Blues Progression
Improvising with Chord Tones
The Modes of the Major Scale
The Mixolydian Mode
The Dorian Mode
Thinking About Scales
CHAPTER 6: DOMINANT VOCABULARY
The Dominant Bebop Scale
Arpeggios
Resolution to the Third
Application to the Blues
More Dominant Ideas
More About Accents
Rhythmic Variations
Phrasing
CHAPTER 7: MAJOR VOCABULARY
Major Scale Improvisation
The Major Bebop Scale
Resolution to the Third and Fifth
Arpeggios and Other Melodic Ideas
Rhythmic Variations
Improvising over Common Progressions
Application to “Afternoon in Paris”
CHAPTER 8: MORE HARMONY
Upper Extensions
Altered Dominant Extensions
Two-Handed Voicings
Harmonizing Tunes
Rootless Voicings
Comping Rhythms
Comping Behind a Soloist
Soloing with Chords
CHAPTER 9: MORE SCALES
The Harmonic Minor Scale
The Jewish or Spanish Scale
Minor II–V–I
The Locrian Mode
The Jazz Melodic Minor Scale
The Altered Scale
The Diminished Scale
Improvising with Whole Tone Scales
Putting It All Together
CHAPTER 10: MORE REPERTOIRE
Variations of Common Chord Progressions
Jazz Blues
Rhythm Changes
“Autumn Leaves”
CONCLUSION
GLOSSARY
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
TESTIMONIALS
CHAPTER 1: GETTING STARTED
Practice Tips
Developing Your Ear
Recommended Listening
Styles
Jazz Standards
The Form of a Tune
The Structure of a Typical Jazz Performance
The Pianist’s Role in a Jazz Group
CHAPTER 2: ESSENTIAL THEORY
The Chromatic Scale
The Whole Tone Scale
The Major Scale
Intervals
The Cycle
Swing Eighth Notes
CHAPTER 3: BASIC CHORDS AND VOICINGS
Triads
CHAPTER 4: REPERTOIRE
Learning Tunes
Interpreting a Lead Sheet
Endings
Ending Idea 1
Ending Idea 2
Applying Voicings
CHAPTER 5: BEGINNING IMPROVISATION
The Blues Scale
Feeling Time
The Blues Progression
Improvising with Chord Tones
The Modes of the Major Scale
The Mixolydian Mode
The Dorian Mode
Thinking About Scales
CHAPTER 6: DOMINANT VOCABULARY
The Dominant Bebop Scale
Arpeggios
Resolution to the Third
Application to the Blues
More Dominant Ideas
More About Accents
Rhythmic Variations
Phrasing
CHAPTER 7: MAJOR VOCABULARY
Major Scale Improvisation
The Major Bebop Scale
Resolution to the Third and Fifth
Arpeggios and Other Melodic Ideas
Rhythmic Variations
Improvising over Common Progressions
Application to “Afternoon in Paris”
CHAPTER 8: MORE HARMONY
Upper Extensions
Altered Dominant Extensions
Two-Handed Voicings
Harmonizing Tunes
Rootless Voicings
Comping Rhythms
Comping Behind a Soloist
Soloing with Chords
CHAPTER 9: MORE SCALES
The Harmonic Minor Scale
The Jewish or Spanish Scale
Minor II–V–I
The Locrian Mode
The Jazz Melodic Minor Scale
The Altered Scale
The Diminished Scale
Improvising with Whole Tone Scales
Putting It All Together
CHAPTER 10: MORE REPERTOIRE
Variations of Common Chord Progressions
Jazz Blues
Rhythm Changes
“Autumn Leaves”
CONCLUSION
GLOSSARY
ACKNOWLEDGMENTS
ABOUT THE AUTHOR
TESTIMONIALS
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